Capture one cinema presets1/29/2024 ![]() ![]() It was shot, as I recall, with a Nikon FM3a and a Zeiss 2/35 zf.2. Just because I don't like the levels-crossing.) (I inverted with an adjustment layer, turning the RGB curve around. No need for Noise Reduction or Color Balance. Tools used: Exposure, High Dynamic Range, Levels, Sharpening. I've been playing with that example yesterday. There was another thread about negatives: Setting the channel mode for the 'Levels' tool to 'Red, Green and Blue Channel' to auto-adjust the levels per channel gives a good starting point and the tuning was done mostly by just moving the gamma point for each color channel.Īt the end I got a nice image, and I've got a workflow to start with. Levels and gamma for each color channel needed manual tweaking. But a bit more Kelvin range on this end would be nice. When trying a color negative my father shot long ago it became tricky. DSLR or scanner? First impressions point to DSLR. I'm still not sure about the best way to get the negative into CO. Color negative into CO, digital to print. The film base is gray, the workflow quite straight forward, and the results excellent.įor color negatives, I'd like to have a hybrid workflow. I've done some of my b/w negatives in CO. ![]() It's my 1st analog and I fell in love with this way of photographing and the darkroom prints. Added an old, used 500-series Hasselblad with film backs, two simple lenses and a small darkroom for b/w. I've recently upgraded my digital camera equipment. However I do have some plans to investigate some old negatives scanned into a camera rather than a scanner and that would mean using edit software rather than scanning software to apply the inversion. Also they are not on disks that are currently connected. I have some scans I made as negatives (rather than converting during scanning) some years ago but I don't recall any that were colour images scanned. I assume what you would like to see would be based on what you have obtained from other applications. Have you looked at the results of the 2 built in Presets for inversion? If for no other reason, then at least to see which tools and adjustments seem to be proposed as useful.Īlso, do you have a digitised negative that you would be willing to make available through a sharing sight so that anyone interested - like me for example - could adjust with a view to seeing how close we might be able to get to what you would like to see. The film photography market is small, to be sure, but a growing segment (consider at the plethora of "film-look" presets.) Any thoughts on a Capture One solution?įirstly the Inverse is likely the route to go but almost certainly some other tweaks will be required and I rather suspect that the changes need to start from a Linear film curve setting. ![]() What we need is a dedicated control, plugin, preset, etc. I know that technically one could play with Capture One and do an inverse, etc., but that results in a pretty lame file, with all the colors and tones out of whack. Most of us use the ColorPerfect plugin for this, but it means an intermediate stop in Photoshop (where one could simply do all of the other processing.) The big issue, always, is the conversion of a scanned film negative ("raw" file) to a positive. The noise reduction can be used to reduce the visual impact of grain, although I would like it to be sequential, before sharpening. ![]() It appears that I can use the typical color, exposure, and tone processing, and the new sharpening does a nice job, without creating halos. With just a few tests, I can confirm that Capture One 10 does a really nice job of touching up my film scans. ![]()
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